"Each and every farming family in the countryside has their own story to tell, and while the responsibility that farmers have for the natural world is an increasingly pressing subject, it’s also crucial not to lose sight of their individuality."
"We have to have this balance of food production and nature – biodiversity and wildlife - and finding the sweet spot between biodiversity and productivity is key."
Mudchute farm is often described as being “in the shadow” of Canary Wharf but after my visit I think that it’s the other way round. Yes, the skyscrapers might be visible over the tops of the trees but having an accessible green space set up by local people for local people is the real towering feat here.
“Regenerative is a very loose term, so it can get a bit misused. But I like it because, unlike ‘sustainable’, it suggests that you’re not just not hurting, you’re actually giving back to the earth – sequestering carbon, creating more biodiversity.”
"It was imperative that our new agricultural operation would help to increase biodiversity across the croft and be driven by a deep respect for the natural world where our actions would contribute all life and regenerate our land and our soils rather than be extractive or depletive."
We asked members of the Fieldwork Bookclub plus some guest writers to nominate their favourite farming books of all time and these were the responses.
The team behind the AHRC-funded Land Lines nature writing project, and its two successful public engagement follow-on projects (Tracks, Traces, Trails: Nature Writing Beyond the Page and Tipping Points: Cultural Responses to Land Sharing in the North) are delighted to announce the release of their book,Land Lines: Modern British Nature Writing, 1789–2020 on the 17th March 2022 with Cambridge University Press.
In this new volume, authors Dr Will Abberley, Dr Christina Alt, Prof David Higgins, Prof Graham Huggan and Dr Pippa Marland move through multiple genealogies and histories of British nature writing, from the Romantics to the contemporary period. Across the four core chapters, this book responds to the many criticisms, controversies, and tropes of British nature writing, and seeks to understand our contemporary fascination with this historically significant genre of literature. Drawing on texts from Gilbert White’s monumental A Natural History of Selborne to…
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I’d like to suggest some reasons why understanding the function of nostalgia in fiction has a bearing on our perception of the rural environment, and also on our consciousness of how looking backwards can also be a useful way of looking forwards.
Rebanks’s own farm is teeming with wildlife, and his writing captures this in all its sensuous pleasure, as he describes hearing the cuckoo call, the rooks cawing, the song of a host of birds – thrushes and warblers and the coo of the wood pigeon.